Christina is a photojournalist for Revolutionary Media. She is also an instructor with the Institute in Photographic Studies.
But it could not withstand the tectonic shifts that swept over the newspaper industry in the early twenty-first century. Revenue shrank as readers and advertisers migrated to the Internet.
The Hearst Corporation, owner of the P-I sinceput it up for sale and then, after failing to find a buyer within 60 days, shut it down. The final print edition was published on March 17, From Aggregator to Aggregator The move was both a leap into the future and a look back to the past.
With a staff of only about 20 compared to roughly in the former newsroomseattlepi. Instead, it has been designed to function largely as an aggregator: Likewise, there was little original content in early versions of the P-I, when editors filled their pages mostly with articles clipped from other newspapers.
In that sense, what remains of the P-I in the digital age echoes the version that was born on a hand-cranked wooden press inin a community that was still years away from seeing its first Hands 2009 essay contest, telephones, or electric lights -- and more than a century away from its first computers.
The end of the ink-on-paper Post-Intelligencer brought expressions of dismay and sadness from many in the broader community, including some who had themselves abandoned print for online media.
Possibly the best line was this one, attributed to author and former P-I copy editor Tom Robbins: The four-page weekly was edited, published, and distributed by James R.
Watson, an itinerant printer most recently from Olympia. He arrived in Olympia, by way of Victoria, British Columbia, in That summer, Seattle pioneer Henry L. Yesler offered Watson rent-free quarters and other inducements to establish a Seattle paper.
Watson published a prototype, called The Washington Gazette, datelined Seattle, August 15,but actually printed in Olympia. Encouraged by the response, he packed up his printing press, and moved north. The press was shipped first to New York and then to Mexico, where it was used to print governmental edicts.
Mexican officials sent it to Monterey, California, inreportedly on the back of a mule. It passed into private hands inafter the Mexican-American War.
Watson installed the press on the second floor of a wooden building owned by Yesler, on the southwest corner of what is now Yesler Way and 1st Avenue S. Nearly every business in town was represented with an advertisement in the first issue.
For residents of the fledgling community, a newspaper symbolized civic stability: It meant their town had a future. He gathered news primarily by showing up at the dock when a ship came in and collecting the bundles of papers arriving from other cities.
He clipped articles about the Civil War from the Eastern papers and relied on papers in Olympia and Vancouver for regional news. He canceled the offer on April 19, saying not enough new subscriptions had come in. In June, he was forced to suspend publication for two months.
For a brief period a few months later, Seattle was a two-newspaper town.
Birth of the Intelligencer Watson continued to publish more or less regularly for about a year before turning the Gazette over to Robert G. Head and the Seattle Publishing Company. The paper passed through three other owners and several minor changes in its name before ending up in the hands of Samuel L.
He rechristened the paper the Weekly Intelligencer. The first issue was published on August 5, At eight pages, it was double the size of the old Gazette, and carried more than twice the advertising. He was the first Seattle newspaper owner to realize much of a profit on his investment.
Higgins made a number of improvements to the Weekly Intelligencer, beginning with the purchase of a new press. The venerable Ramage was retired from active duty and eventually donated to the University of Washington. It was hauled off to the campus, by wagon, just a few days before the Great Fire of June 6, -- a fact that saved it from almost certain destruction.Professional wrestling has accrued a considerable nomenclature throughout its existence.
Much of it stems from the industry's origins in the days of carnivals and circuses. In the past, professional wrestlers used such terms in the presence of fans so as not to reveal the worked nature of the business. In recent years, widespread discussion on the Internet has popularized these terms.
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